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Toccata op.59 No. 5
Uploaded by: PLRT
Composer: Reger, Max Organ: 1925 G.F. Steinmeyer, Berlin, Germany Software: Hauptwerk VI Views: 122
Toccata BWV 916
Uploaded by: Cornelis
Composer: Bach, J. S. Organ: Müller Grote of Sint Bavo extended Software: Hauptwerk IV Views: 57
Toccata settima
Uploaded by: Carillon
Composer: Rossi, Michelangelo Organ: Adriatic Organ Model Software: Hauptwerk IV Views: 182
Sonate VI - Allegro
Uploaded by: Glebe
Composer: Bach, J. S. Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 171
Choralvorspiele BWV 726-732
Uploaded by: Pietro
Composer: Bach, J. S. Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 180
Uploaded by:
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EdoL (11/25/13)
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Composer:
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Krieger, Johann
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Sample Producer:
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OrganArt Media
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Sample Set:
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1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | Toccata D-Dur
Johann Krieger (28 December 1651 – 18 July 1735) was a German composer and organist, younger brother of Johann Philipp Krieger. Born in Nuremberg, he worked at Bayreuth, Zeitz, and Greiz before settling in Zittau. He was one of the most important keyboard composers of his day, highly esteemed by, among others, George Frideric Handel. A prolific composer of church and secular music, he published several dozen of his works, and others survive in manuscript. However, hundreds more were lost when Zittau was destroyed by fire in 1757, during the Seven Years' War.
Krieger's keyboard music places him among the most important German composers of his time.[1] The two published collections, Sechs musicalische Partien (1697) and Anmuthige Clavier-Übung (1698), contain harpsichord suites, organ toccatas, fugues, ricercars, and other works. Krieger's contemporaries praised his contrapuntal skill, evident in the extant fugues and ricercars. Johann Mattheson was particularly impressed with Krieger's double fugues, remarking that he knew nobody who surpassed Krieger in this form, except Handel. Handel himself admired and studied Krieger's work, even taking a copy of Anmuthige Clavier-Übung with him to England.
Plenum HW en RW.
Reeds and Cornet in the final bars |
Performance: | Live |
Recorded in: | Stereo |
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