Offertorio in G Op 162 Uploaded by: Erzahler Composer: Bonis, Mel (Mélanie Hélène) Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk VII Views: 39
Psalm 55 Uploaded by: bkriekaard Composer: Bout, Bram Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 632
Jesus the Very Thought of Thee Uploaded by: robgood Composer: Diemer, Emma Lou Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 738
Fugue Uploaded by: wolfram_syre Composer: Dubois, Theodore Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 164
Every recording project that I have undertaken has been a considerable learning experience. Among other things, this one was a reminder that musical instructions - tempo marks, terms like staccato and legato, and note values - are not to be taken as carved in stone by the composer. Dupré, a stickler for details, can be heard in his own recording of this piece ignoring his tempo markings, playing legato marked passages staccato, and dramatically altering the length of the final note values for dramatic effect. This calls to mind that intuition plays a considerable part in music making and that the composer cannot always communicate on the page what his true intentions are.