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Introduction and Finale

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Uploaded by: Agnus_Dei (01/14/16)
Composer: Saxton, Stanley E.
Sample Producer: Milan Digital Audio
Sample Set: Salisbury Cathedral Father Willis
Software: Hauptwerk
Genre: Modern
Description:
Stanley E. Saxton (1904-2002) was professor emeritus of music at Skidmore College. He earned bachelor’s and master’s degrees in music from Syracuse University; he also studied organ with Marcel Dupre and Charles Marie Widor at the American School in Fontainbleau in France, as well as composition with Nadia Boulanger. He held his first church organist job at the age of 12, formed his own orchestra as a college freshman, and toured Europe with Paul Whiteman’s Collegians. A member of the American Guild of Organists, Saxton designed and built many pipe organs in the eastern U.S. He also pursued research in indigenous folk music as source material for compositions, and composed many published works for organ, piano, voice, and chorus.

These are the last of several works that I have uploaded. As before, these pieces came to me through the courtesy and friendship of Carson Cooman. These pieces have probably never been played, so, I guess we can call each of them a premiere! ;-)

The quality of these works varies considerably. Some are quite beautiful, others are "uneven," with strong ideas but weak executions, or "mistakes" in their context. Some actually sound "funny" to our sophisticated ears. Most of these seem to date from 1988-1991.

I've tried to be faithful to Saxton's "registration schemes," but have expanded them somewhat. I've paid attention to his metronome marks, and in most cases, I'm either right at or near the indications. I've "corrected" a few "inconsistences" here and there.

"Introduction and Finale" is an odd piece. It sounds like Saxton was afraid that he'd run out of manuscript paper, as he begins an idea, only to end a few measures later. He's got an intriguing intro, followed by a sort of "English march" (more so by the way I played it), but all the ideas are short, and to me, not fully explored. This piece is dated 1991.

THANK YOU, Carson for allowing me to have the opportunity of playing these pieces!
Performance: Live
Recorded in: Stereo
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