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Doppel Fuge in G Minor (EG 184, No. 7)

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Uploaded by: Agnus_Dei (09/17/16)
Composer: Grieg, Edvard
Sample Producer: OrganART Media
Sample Set: F. Ladegast Surround
Software: Hauptwerk
Genre: Romantic
Description:
Edvard Hagerup Grieg (Norwegian: 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he traveled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy), its professional choir (Edvard Grieg Kor), and even some private companies that include its largest hotel (Quality Hotel Edvard Grieg), and a music technology developer (Grieg Music). The Edvard Grieg Museum in Troldhaugen (Grieg's former home in Bergen) is dedicated to his legacy.

This impressive double fugue comes from a collection of 7 fugues, composed in the years 1861-1862. It is the last in the group.

Marked "Andante non troppo." it is a serious, even severe fugue. The chromaticism is constant, but produces a dark and rich harmonic result. I don't "know enough" about Grieg to comment in detail, but the result has a distinctive "flavor" to it.

The listening perspective is about 2/3 "away from" the organ. From this point, the plenum sings well in the church's acoustics. The registration is more or less "organo pleno," with a few additions toward the end.

The score is attached below, as well as two photos of Edvard Grieg.
Performance: Live
Recorded in: Stereo
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