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Starlight (Unter dem gestirnten Himmel), Op. 108, No. 2

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Uploaded by: Agnus_Dei (01/15/17)
Composer: Karg-Elert, Sigfrid
Sample Producer: Milan Digital Audio
Sample Set: Salisbury Cathedral Father Willis
Software: Hauptwerk
Genre: Romantic
Description:
Sigfrid Karg-Elert (1877-1933) was born Siegfried Theodor Karg in Oberndorf am Neckar, Germany, the youngest of twelve children. The family finally settled in Leipzig in 1882, where he received his first musical training and private piano instruction. At a gathering of composers in Leipzig, he presented his first attempts at composition to the composer Emil Nikolaus von Reznicek, who arranged a three-year tuition-free scholarship at the Leipzig Conservatory, where he studied with Jadassohn, Reinecke, Reisenauer and Teichm├╝ller.

From August 1901 to September 1902 he worked as a piano teacher in Magdeburg. It was during this period that he changed his name to Sigfrid Karg-Elert, adding a variant of his mother's maiden name to his surname, and adopting the Swedish spelling of his first name.

Having returned to Leipzig, he started devoting himself to composition, primarily for the piano (encouraged by Edvard Grieg, whom he greatly admired). He soon began writing of the harmonium, and his first original organ works (1909) were the, 66 Chorale Improvisations, Op. 65.

Shunned and neglected in Germany, he accepted an invitation for an organ concert tour of America in the spring of 1932. The tour proved to be a disastrous mistake. He was suffering from the diabetes which would soon kill him, and his limited powers as an organist compared unfavorably to the virtuoso standard of organ performance to which American audiences had grown accustomed.

After his return to Leipzig, his health started deteriorating rapidly. He died there in April 1933, only 55 years old.

"Starlight (Under the starry sky) is the 2nd section of Op. 108, and follows "Sunset" which I uploaded the other day.

There is not enough space to discuss the music, so I will just say that this is another painting in sound, calling for great expression and use of orchestral color.
Several photos of Karg-Elert are attached below, as well as the score and a photo of Riesengebirge, that inspired the music in 1923.
Performance: Live
Recorded in: Stereo
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