Comments (3)
Comment on this music
Login/Register to post a comment.
|
Sonata K188 a-moll
Uploaded by: NeoBarock
Composer: Scarlatti, Domenico Organ: Walcker, Melcer Chamber Music Hall (1993) Software: GrandOrgue Views: 52
Fantasia no. 1 in D-Dur, TWV 33:1
Uploaded by: yolar
Composer: Telemann, Georg Philipp Organ: 1766 Riepp Heilig-Geist Organ (Surround), Ottobeuren, Germany Software: Hauptwerk VIII Views: 77
Celtic Suite
Uploaded by: Hoofdwerk
Composer: Wagner, Douglas Organ: Rosales, opus 11, Portland, Oregon Software: Hauptwerk V Views: 82
Unsquare Toccatina
Uploaded by: alberto63
Composer: Simon Lesley Organ: Rosales, opus 11, Portland, Oregon Software: Hauptwerk VII Views: 44
Uploaded by:
|
Hoofdwerk (03/21/17)
|
Composer:
|
Cooman, Carson
|
Sample Producer:
|
Sonus Paradisi
|
Sample Set:
|
Rosales, opus 11, Portland, Oregon
|
Software: | Hauptwerk IV |
Genre: | Contemporary |
Description: | 1. Nettleton (“Come, Thou Fount of Every Blessing”)
2. Veni Emmanuel (“O Come, O Come, Emmanuel”)
3. Veni Creator Spiritus (“Come, Creator Spirit”)
O Come: Three Hymn Fantasies (2016) was commissioned by Nick Wilson. Each movement bears a dedication chosen by Dr. Wilson. The three hymns are connected via their English texts, all of which begin with the vocative “Come.”
Nettleton (“Come, Thou Fount of Every Blessing”) is dedicated “in memory of Judy Wilson — my first musical mentor and the most amazing Mom I could have ever hoped for.” Dr. Wilson’s mother was a church pianist and piano teacher. She continued to play the piano in church until very shortly before her death in 2011.
Veni Emmanuel (“O Come, O Come, Emmanuel”) is dedicated “in honor of Ruby Moultrie and Wilma Turner Rhyne — who taught me as much about life as music.” The dedicatees were Dr. Wilson’s first college teachers.
Veni Creator Spiritus (“Come, Creator Spirit”) is dedicated “in honor of Julie Wyrick — whose fiery passion is contagious!” The dedicatee has a special affinity for this well-known plainchant melody; her doctoral dissertation traced its use in organ music throughout history.
Six channels, setting (diffuse/rear) 88, (rear level) 88 |
Performance: | Live |
Recorded in: | Stereo |
Playlists: |
|
Options:
|
Sign up today to download piece.
Login or Register to Subscribe
See what Hoofdwerk used to make this recording
|
|
|