Meditation on Psalm 137 Uploaded by: Agnus_Dei Composer: Milner, Arthur Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 111
But Now I See (2013) Uploaded by: CarsonCooman Composer: Williamson, Richard A. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 139
Postludium (2013) Uploaded by: CarsonCooman Composer: Willscher, Andreas Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 332
Psalm 132 compilation Uploaded by: FredM Composer: Simon Landsman, Dick Sanderman Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 114
Nun danket alle Gott Uploaded by: ajongbloed Composer: Oley, Johann Christoph Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 268
Pavane d'Angleterre et Gaillarde Uploaded by: petervdzwaag Composer: Gervaise, Claude Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 238
Walther uses this well-known chorale as the theme for a fascinating set of 13 variations. Here's a brief description of each.
Variation 1: Manuals-only with some echo effects briefly in the second half
Variation 2: Manuals only featuring a continuous 16th note figuration in the right hand accompanied by 8th note leaps in the left hand. Enjoy the 16' Rankett I used here ;-)
Variation 3: Running 16th note figurations in the manuals decorate the theme appearing in the pedal line
Variation 4: This lengthy variation features some highly florid counterpoint in the manuals with the theme appearing in the pedal line
Variation 5: Similar to the previous variation, imitative counterpoint in the manuals, theme in pedal
Variation 6: Manuals only with frequent switches between two manuals
Variation 7: A type of Bicinium, theme in half notes in the right hand accompanied by continuous triplets in the left hand
Variation 8: In 12/8 meter, the theme appears in dotted half notes in the left hand, accompanied by steady 8th notes on a different manual in the right hand and dotted quarters in the pedal
Variation 9: A Trio for two separate manuals and pedal, which carries the theme
Variation 10: For two manuals and pedal. The theme appears in the pedal and in a highly ornamented version in the right hand. The left hand accompanies in 2-part counterpoint.
Variation 11: Manuals only with the theme in the soprano
Variation 12: Manuals only. I like the clever repeated cadences at the end of each phrase.
Variation 13: Manuals only (except for pedal on the final note), features some very fine writing by Walther. Theme in soprano