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Christe, du Lamm Gottes im Stile Pachelbels (Op. 65. No. 46)

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The proud organ, built by William Hill for St. Paul's Church-Burton-on-Trent almost 150 years a...

Uploaded by: Agnus_Dei (02/20/18)
Composer: Karg-Elert, Sigfrid
Sample Producer: Voxus Virtual Organs
Sample Set: Stahlhuth/Jann - Dudelange
Software: Hauptwerk
Genre: Romantic
Description:
Sigfrid Karg-Elert (1877-1933) was born Siegfried Theodor Karg in Oberndorf am Neckar, Germany, the youngest of twelve children. The family finally settled in Leipzig in 1882, where he received his first musical training and private piano instruction. At a gathering of composers in Leipzig, he presented his first attempts at composition to the composer Emil Nikolaus von Reznicek, who arranged a three-year tuition-free scholarship at the Leipzig Conservatory, where he studied with Jadassohn, Reinecke, Reisenauer and Teichmüller.

Having returned to Leipzig, he started devoting himself to composition, primarily for the piano (encouraged by Edvard Grieg, whom he greatly admired). He soon began writing of the harmonium, and his first original organ works (1909) were the, 66 Chorale Improvisations, Op. 65.

Shunned and neglected in Germany, he accepted an invitation for an organ concert tour of America in the spring of 1932. The tour proved to be a disastrous mistake. He was suffering from the diabetes which would soon kill him, and his limited powers as an organist compared unfavorably to the virtuoso standard of organ performance to which American audiences had grown accustomed.

After his return to Leipzig, his health started deteriorating rapidly. He died there in April 1933, only 55 years old.

Marked, "Grave alla Sarabanda," this work sets the Passion Chorale in the style of Pachelbel (romanticized!). The registrations highlight the "foundational tone," and you will notice that the diapasons are more "stringy" in sound than their English counterparts.

The registrations in the opening section, calling for a decrescendo on the uncoupled Grand Orgue are managed by the subtraction of stops, and without any aid from a swellbox.

The score is attached below, as well as two photos of Sigfrid Karg-Elert.

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Performance: Live
Recorded in: Stereo
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