Pastorale in A Uploaded by: ESchoen Composer: Joseph Bonnet (1884-1944) Organ: Oloron-Sainte-Marie Software: Hauptwerk IV Views: 112
Pastorale in C Uploaded by: alberto63 Composer: Pintarić Fortunat Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 39
Pastorale sopra Ar hyd y nos (2016) Uploaded by: EdoL Composer: Ferrari, Carlotta Organ: 1884/1995 Walcker-Eule, Annaberg, Germany Software: Hauptwerk VI Views: 74
16. Pastorale Uploaded by: gooseh Composer: Peeters, Flor Organ: Klais Organ of Szikszó Software: Hauptwerk IV Views: 75
Pastorale Uploaded by: Agnus_Dei Composer: Davis, Katherine Kennicott Organ: Peterborough Cathedral Hill Software: Hauptwerk IV Views: 97
Saeta Uploaded by: Tapadillo Composer: Torres, Eduardo Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 293
Il sacro cuore di Maria (2017) Uploaded by: CarsonCooman Composer: Ferrari, Carlotta Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 32
Menuet: A la Terzia Uploaded by: gblsj Composer: Johann Tropius Von der Teufel (1819 - 1851) Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 210
Meditation on the Rocking Carol Uploaded by: Hoofdwerk Composer: Dixon, John S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 90
Flute Pièce Uploaded by: bishfan Composer: Teke Bijlsma Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 89
Burkhard Mohr (b. 1955) — Pastorale 4 (from Klang-Kalender) (2013) for organ
German composer Burkhard Mohr (b. 1955) was born in Gamsbach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.