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Tiento XXVII
Uploaded by: phjo
Composer: F. Correa de Arauxo Organ: 2012 Metzler, Poblet Abbey, Spain Software: Hauptwerk IV Views: 367
Tiento 1 Mode 1
Uploaded by: galliard
Composer: A. de Cabezón Organ: SP Prib Chamber Organ Software: Hauptwerk IV Views: 531
Tiento de Falsas 2º tono
Uploaded by: jepisi
Composer: Pablo, BRUNA Organ: AVO - Castilian Organ-replica from Budapest Software: Hauptwerk IV Views: 41
Danza del Acha
Uploaded by: Joaquin
Composer: Martin y Coll Organ: 1776 Tadeo Ortega, Capillas, Spain Software: Hauptwerk IV Views: 110
Medio Registro Basso
Uploaded by: EdoL
Composer: Bruna, Pablo Organ: 1776 Tadeo Ortega, Capillas, Spain Software: Hauptwerk IV Views: 177
Uploaded by:
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EdoL (02/03/19)
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Composer:
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Cabanilles, Juan
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Sample Producer:
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OrganArt Media
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Sample Set:
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1776 Tadeo Ortega, Capillas, Spain
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Software: | Hauptwerk IV |
Genre: | Medieval and Renaissance |
Description: | Juan Bautista José Cabanilles (1644 – 1712) was a Spanish organist and composer at Valencia Cathedral.
He is considered by many to have been the greatest Spanish Baroque composer, and has been called the Spanish Bach.
Many of Cabanilles's compositions are virtuosic and advanced for their time, but generally, he is in the Spanish tradition of keyboard music following 16th century patterns.
The majority of his manuscripts are kept in the Biblioteca de Catalunya in Barcelona. Numerous compositions for organ (tientos, toccatas, passacaglias, and other works) have survived, as well as a number of works for choirs of up to 13 parts.
This Tiento should be played on one manual.
The mood of it is suggested by the Segundo Tono, the second Modus.
Various interpretations of the "character" imparted by the different modes have been suggested.
Two such interpretations, from Guido D'Arezzo (995-1050) and Adam of Fulda (1445-1505) are:
The second mode (Segundo Tono) is sad.
The second is suitable for the sad things.
Played on solo Flautado (8') |
Performance: | Live |
Recorded in: | Stereo |
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