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Elegia
Uploaded by: Gympie
Composer: Eric Thiman Organ: Friesach-Cracow Composite Software: Hauptwerk VI Views: 74
Elegiac Prelude
Uploaded by: jerrymartin
Composer: George John Bennett Organ: Schuke (1977), Erfurt, Predigerkirche Software: Hauptwerk VII Views: 140
Chant Elegiaque
Uploaded by: Musicman92312
Composer: Bédard, Denis Organ: Cavaillè-Coll, Saint Eucaire (1902) Software: Hauptwerk VI Views: 45
Elegia in Fa minore (1987)
Uploaded by: sanden
Composer: Tonelli, Giulio Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 97
Elegia II (1995)
Uploaded by: CarsonCooman
Composer: Sawa, Marian Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 437
Psalm 90 (from Gebed II)
Uploaded by: Gert
Composer: Dick Sanderman Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 423
Solo for Pedal
Uploaded by: Glebe
Composer: Bédard, Denis Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 279
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Uploaded by:
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CarsonCooman (09/11/13)
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Composer:
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Sawa, Marian
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Doesburg Martinikerk Walcker Organ
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| Software: | Hauptwerk IV |
| Genre: | Contemporary |
| Description: | Marian Sawa (1937–2005) — Elegia I (1995) for organ
Marian Sawa (1937–2005) was a Polish composer, organist, and teacher. As a famed specialist in organ improvisation, he taught the subject for many years at several conservatories, most notably the F. Chopin Academy of Music in Warsaw. He was a frequent member of organ competition juries throughout the world, and won numerous prizes himself for his compositions and recordings. With nearly 1000 pieces in many genres, Sawa was an extremely prolific composer, and his own instrument, the organ, looms very large in his output. Besides hundreds of solo organ pieces, there are many works for organ with instruments and voices, and five organ concerti. Like many composers in Eastern European countries, religious inspiration was behind much of his music. Sawa’s personal style draws upon the influence of Gregorian chant and Polish folk hymns and songs (even when they are not quoted directly), alongside both traditional and contemporary harmony.
This is the first of three elegies written by Sawa in 1995. A mournful melody is accompanied by gentle, repeated chords in triple meter.
Published by the Marian Sawa Society |
| Performance: | Live |
| Recorded in: | Stereo |
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