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Preambulum VI
Uploaded by: ajongbloed
Composer: Vallade, Johann Baptist Anton Organ: St. Peter und Paul Weissenau Software: Hauptwerk IV Views: 133
Laura
Uploaded by: axle
Composer: Johnny Mercer & David Raksin Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 202
Reflection
Uploaded by: whs1325
Composer: * My Own Composition Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 82
Trio, op 56 nr 16
Uploaded by: ajongbloed
Composer: Oberhoffer, Heinrich Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 309
Uploaded by:
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CarsonCooman (09/21/13)
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Composer:
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Sawa, Marian
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Doesburg Martinikerk Walcker Organ
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Software: | Hauptwerk IV |
Genre: | Contemporary |
Description: | Marian Sawa (1937–2005) — Preambulum (2002) for organ
Marian Sawa (1937–2005) was a Polish composer, organist, and teacher. As a famed specialist in organ improvisation, he taught the subject for many years at several conservatories, most notably the F. Chopin Academy of Music in Warsaw. He was a frequent member of organ competition juries throughout the world, and won numerous prizes himself for his compositions and recordings. With nearly 1000 pieces in many genres, Sawa was an extremely prolific composer, and his own instrument, the organ, looms very large in his output. Besides hundreds of solo organ pieces, there are many works for organ with instruments and voices, and five organ concerti. Like many composers in Eastern European countries, religious inspiration was behind much of his music. Sawa’s personal style draws upon the influence of Gregorian chant and Polish folk hymns and songs (even when they are not quoted directly), alongside both traditional and contemporary harmony.
“Preambulum” (2002) was written at the request of Paweł Miazga, one of the composer’s students of church music and liturgy at the F. Chopin Academy in Warsaw, to perform for his diploma exam mass. The piece is based on the Gregorian antiphon “Ave Regina Caelorum”, which provides its melodic material and structure. Sawa treats the chant with his most characteristic harmonies based on fourth/fifth chords.
Published by the Marian Sawa Society |
Performance: | Live |
Recorded in: | Stereo |
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