Improvisata

Edgar (Pierre Joseph) Tinel (27 March 1854 – 28 October 1912) was a Belgian composer and pianist.

He was born in Sinaai, today part of Sint-Niklaas in East Flanders, Belgium, and died in Brussels. After studies at the Brussels Conservatory with Louis Brassin (piano) and François-Auguste Gevaert (composition), he began a career as a virtuoso, but soon abandoned this for composition. In 1877 his cantata Klokke Roeland won him the Belgian Prix de Rome, and in 1881 he succeeded Jacques-Nicolas Lemmens as director of the Mechelen Institute of Religious Music.

He devoted himself to a study of old church music, and his ideas gave rise to Pope Pius X's Motu proprio. Appointed inspector of music education in 1889, he moved to the Brussels Conservatory to become professor of counterpoint and fugue in 1896, and director at the end of 1908. He was made maître de chapelle to the king in 1910, having been elected to the Belgian Royal Academy in 1902.

His liturgical music is polyphonic in the Palestrina style, but this technique conflicted with Tinel's lyrical and mystical temperament, and he had much greater success in his two concert settings of the Te Deum, the oratorio and the religious dramas. These works indicate his total admiration for Bach, but the orchestration, dominated by the strings, is Romantic. Tinel's piano pieces and songs recall Schumann, Mendelssohn and Brahms. He published Le chant gregorien (Mechelen, 1890).

He was the uncle and teacher of Jef Tinel.

"Improvisata" is somewhat deceiving in its titel, as it has little do with an free, improvisatory style. Rather, it is a romantic work, and seems to be in the style of Josef Rheinberger.

He wrote a signifcant "Sonata in G minor, Op. 29" which is a piece written in the style of Guilmant (and Rheinberger) and is well-worth the effort if you're looking for a "rare" large-scale romantic work.