A competition of the North-German baroque organs III. 3.: Praeludium in G

Each recording has been played separately. So you will find some different details of interpretation and registration.
The order of the organs is according to the number of the organ's stops up from the smallest to the largest instrument.
I have my favourits, but it would be interesting to see what you think about how the different organ models perform the same repertory and its special features.

Temperament: A. Werckmeister III

LEENS
Organ settings > Pipe and rank voicing
HAUPTWERK
Prestant 8´: Overall, amplitude: + 2.3, Overall, brightness: - 2.0
Quint 3´: Overall, brightness: - 2.0
Octaaf 2´: Overall, brightness: - 1.5
Mixtuur: Overall, brightness: - 6.0
Vox humana 8´: Overall, amplitude: + 1.0, Overall, brightness: + 1.0
Trompet 8´: Overall, amplitude: + 3.0, Overall, brightness: - 2.0
RÜCKPOSITIV
Prestant 4´: Overall, brightness: - 1.0
Flaut does 8´: Overall, amplitude: + 3.0
Nasard 3´: Overall, brightness: - 1.0
Octaaf 2´: Overall, brightness: - 4.0
Quint 1 1/2´: Overall, brightness: - 2.0
Sexquialter: Overall, amplitude: + 4.0, Overall, brightness: - 8.0
Scherp: Overall, brightness: - 10.0
Dulciaan 8´: Overall, amplitude: + 2.0, Overall, brightness: - 4.0
PEDAL
Prestant 8´: Overall, amplitude: + 0.7
Bourdon 16´: Overall, amplitude: + 0.7
Roerquint 6´: Overall, amplitude: + 0.3
Octaaf 4´: Overall, amplitude: + 0.9
Mixtuur: Overall, amplitude: + 0.7, Overall, brightness: - 7.0
Bazuin 16´: Overall, amplitude: + 1.7, Overall, brightness: - 1.0
Trompet 8´: Overall, amplitude: + 2.0, Overall, brightness: - 1.0
Cornet 2´: Overall, amplitude: + 3.7, except fs0 + 4.4, g0 + 7.7, gs0 + 4.7, a0 + 5.7, b0 + 3.2, h0 + 3,7, c1 + 6.2, cs1 + 6.7, Overall, brightness: - 3.0
I tryed also the unchanged Leens organ model, but the result was not very good.