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Ranked #2 in Most Listened.
Ranked #2 in Most Commented.
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In the bleak midwinter
Uploaded by: TomR
Composer: Gustav Holst Organ: Cracov, St. John Cantius 2004 Software: Hauptwerk VI Views: 89
Nocturne in F Minor
Uploaded by: Agnus_Dei
Composer: Avery, Stanley Robert Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 114
Trumpet Tune in F
Uploaded by: Dabchurch
Composer: Phillips, Gordon Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 606
Be Still, My Soul
Uploaded by: BaroqueDMX
Composer: Sibelius, Jean Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 247
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Uploaded by:
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Agnus_Dei (04/02/14)
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Composer:
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Maybrick, Michael (aka Stephen Adams)
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Sample Producer:
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Lavender Audio
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Sample Set:
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Hereford Cathedral Willis Organ
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| Software: | Hauptwerk IV |
| Genre: | Romantic |
| Description: | I guess this may not seem like the "sort" of piece that I usually play, but having really "listened" to this song a few weeks ago, it's emotional appeal has really grabbed me.
It is composed by Michael Maybrick (1841-1913), who actually wrote it under the pseudonymn of Stephen Adams.
A very interesting bit of trivia is that Michael Maybrick's brother, James, was at one time THE leading suspect of being Jack-the-Ripper! He even wrote an extensive diary that caused a sensation when it was published in the 1980s. In reality, he was nothing more than a wannabe-Jack, but it's still a fascinating bit of useless knowledge...
Maybrick was an organist of some skill, as he was a student of Best, and held a number of church postions,
This arrangement was made by Myles B. Foster (1851-1922) who was the son of the English watercolorist and illustrator of the same name, Myles Birket Foster (1825-1899). Foster was Organist of the Foundling Hospital (1880-1892) and later spent a lot of time in South Africa and Australia as an examiner for Trinity College in London. He is known to have made a large number of skillful arrangements and transcriptions, as shown in this masterful version.
For this performace, I've tried to give it the "full cathedral treatment," and I've selected a little "slower than normal tempo," in order to bring out the majesty in the simple, but grand melody and harmonies.
For whatever reason, I just felt compelled to play this, and while I DO hear it, it's not "right," and it's very heartbreaking to have to "imagine" the sound of it.
As I said, I took this quite slowly, and I put my whole heart into this... |
| Performance: | Live |
| Recorded in: | Stereo |
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