Subscribe to our mailing list to get news, specials and updates:     Name: Email:

Meditation on the Name of God (2001)

301 views | Find this title on Sheet Music Plus


Comments (0)

Comment on this music

/Register to post a comment.

Uploaded by: CarsonCooman (04/26/14)
Composer: Pierce, Forrest
Sample Producer: Sonus Paradisi
Sample Set: Utrecht - Dom, Bätz Organ
Software: Hauptwerk IV
Genre: Contemporary
Forrest Pierce (b. 1972) — Meditation on the Name of God (2001) for any instrument

“Meditation on the Name of God” (2001) is a slow, meditative, and mystical work that can be played (in various versions) on any instrument.

American composer Forrest Pierce (b. 1972) describes his music as “steeped in Sufi mysticism and contemporary virtuosity. Sincere, often triadic, and blatantly tuneful, it draws on both non-western and rock-era traditions to depict an authentic world of sacred unity and natural beauty.” His works have been performed in sacred and concert settings around the world, on noteworthy concert series and by diverse ensembles such as Brave New Works, the Chamber Players of the Society of New Music/ISCM, the BMOP chamber series, DuoSolo, the Chamber Orchestras of Portland and Kansas City, the Indianapolis and Walla Walla Symphonies, the Concord Ensemble, the Seattle New Music Ensemble, the Oregon and Northwest Repertory Singers, the Boston Choral Ensemble, the Dublin and Canadian International Organ Competitions, Songfest, and by numerous distinguished soloists in North America and abroad. Pierce is the past resident composer of the Seattle New Music Ensemble and the founding artistic director of Portland’s Friends of Rain Contemporary Ensemble. His catalog includes over 50 works for voices, including operatic, choral, and solo vocal forces. Pierce teaches on the faculty of the University of Kansas School of Music, and was educated at the University of Puget Sound, the University of Minnesota, and Indiana University.
Performance: Live
Recorded in: Stereo
Options: Sign up today to download piece.
Login or Register to Subscribe
See what CarsonCooman used to make this recording