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Pastorale
Uploaded by: wolfram_syre
Composer: Salomé, Théodore Organ: St. Omer, Cavaillé-Coll 1855 Software: Hauptwerk IV Views: 101
Pastorale
Uploaded by: alberto63
Composer: Zipoli, Domenico Organ: 1780 Gaetano Callido, B. Polesine, Italy Software: GrandOrgue Views: 47
Pastorale
Uploaded by: orgeltrampare
Composer: Milhaud, Darius Organ: Rosales, opus 11, Portland, Oregon Software: Hauptwerk VIII Views: 63
The First Nowell
Uploaded by: gooseh
Composer: arr. David Willcocks Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 121
Venite Adoremus
Uploaded by: alberto63
Composer: Lefébure-Wely, Louis James Alfred Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 91
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Uploaded by:
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Agnus_Dei (05/06/14)
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Composer:
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Milhaud, Darius
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Caen - St. Etienne Cavaillé Coll
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| Software: | Hauptwerk IV |
| Genre: | Modern |
| Description: | Darius Milhaud (1892 – 1974) was a French composer and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and make use of polytonality. Darius Milhaud is to be counted among the modernist composers.
Born in Marseilles to a Jewish family from Aix-en-Provence, Milhaud began as a violinist, later turning to composition instead. Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre. He studied composition under Charles Widor and harmony and counterpoint with André Gedalge. He also studied privately with Vincent d'Indy. On a trip to the United States in 1922, Darius Milhaud heard "authentic" jazz for the first time, which left a great impact on his musical outlook. The rise of Nazism forced the Milhauds to leave France in 1940 and emigrate to the United States, where he was professor at Mills College in Oakland. His students include, jazz pianist Dave Brubeck and songwriter, Burt Bacharach.
"Pastorale" was composed in 1941, and is a lovely and distinctive work, which is not nearly as "hard" as I first thought it was... ;-)
It was published as No. 9 in the H.W. Gray "Contemporary Organ Series." |
| Performance: | Live |
| Recorded in: | Stereo |
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