Offertoire (Heures Mystiques, No. 1)

For notes on Boëllmann's life, see No. 1. :-)

The "Offertoire", marked "Andantino" is in a warm G major, using the softer stops of the Recit, sometimes coupled to the Positif.

Rowley calls for a "solo stop," but in an "English manner." I've used the Flutes of the Grand Orgue, sometimes with Gamba, sometimes without.

The work ends on the Voix celeste of the Recit.