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Offertory
Uploaded by: alberto63
Composer: Tournemire Charles Organ: Tamburini 1959, S. Marina Nascente, Milan Software: Hauptwerk VII Views: 56
Adoro te devote
Uploaded by: Hoofdwerk
Composer: Hoh, Christopher Organ: Domorgel Billerbeck - Orgelbau Fleiter Software: Hauptwerk VII Views: 47
Meditation (1997)
Uploaded by: CarsonCooman
Composer: Lindsten, Rune Organ: Schuke (1977), Erfurt, Predigerkirche Software: Hauptwerk VII Views: 38
Up From The Grave
Uploaded by: Mktwest
Composer: Powell, Robert Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 197
Woodland Idyl
Uploaded by: Agnus_Dei
Composer: Stoughton, Roy Spaulding Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 214
Uploaded by:
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Agnus_Dei (07/05/15)
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Composer:
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Dyson, George
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Sample Producer:
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Milan Digital Audio
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Sample Set:
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Salisbury Cathedral Father Willis
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Software: | Hauptwerk IV |
Genre: | Post Romantic |
Description: | Sir George Dyson KCVO (28 May 1883 – 28 September 1964) was a well-known English musician and composer. He was born in Halifax, Yorkshire, and attended the Royal College of Music. In 1914 he joined the Royal Fusiliers, and during this time wrote a widely used training pamphlet on the use of grenades. After being invalided home with shell-shock in 1916 and recovering, he joined the Royal Air Force where he completed the RAF March Past drafted by Walford Davies. In 1921 he took up posts as music master at Wellington College and as professor of composition at the Royal College of Music. He worked as a school music teacher (at Rugby, Wellington and Winchester), before being appointed as Director of the Royal College of Music in 1937. He received a knighthood in 1941 and was made a Knight Commander of the Royal Victorian Order (KCVO) in 1953, and died in Winchester at age 81.
He wrote some significant works for the
liturgy of the Church of England, including two complete morning and evening canticles in D major and F major, as well as a setting of the evening service in C minor for trebles. The evening services remain popular in English churches and cathedrals, and are certainly part of the core repertoire.
This is the third and last book of "Preludes on Old-Psalm-Tunes". The second prelude in book 3 is based on the tune, "O word immortal", the melody being Orlando Gibbons "Song 24". It is a sincere and "humble" work. The tune is played on the Swell Diapason, and is then varied with a series of textures and colors. The haunting phrases toward the end finally bring the work to a hushed ending in the major with the 32' Open in the pedal.
The score is attached below. |
Performance: | Live |
Recorded in: | Stereo |
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