|
Comments (1)
Comment on this music
Login/Register to post a comment.
|
Fantasie
Uploaded by: FredM
Composer: Giessen, A Organ: Bergen op Zoom, Ibach Software: Hauptwerk V Views: 62
Fantasie in A
Uploaded by: clrresources
Composer: Franck, César Organ: 1998 Steiner-Reck, Op. 104 Software: Hauptwerk VII Views: 156
Chorale prelude: Psalm 119
Uploaded by: yolar
Composer: Beeftink, Johan Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk V Views: 213
In dulci jubilo
Uploaded by: MrStone
Composer: Buxtehude, Dieterich Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk VI Views: 81
|
Uploaded by:
|
CarsonCooman (07/17/15)
|
|
Composer:
|
Graap, Lothar
|
|
Sample Producer:
|
Sonus Paradisi
|
|
Sample Set:
|
Laurenskerk - Transept Organ - 1959 Marcussen & Son
|
| Software: | Hauptwerk IV |
| Genre: | Contemporary |
| Description: | Lothar Graap (b. 1933) — Fantasie II, GWV 122 (1984) for organ
“Fantasie II” is structured in three parts. The opening lively music, a tranquil and expressive middle, and then a return to the opening music. However, upon the opening music’s return, the material is switched between the two hands and thus moves into new harmonic territory.
Lothar Graap (b. 1933) is a German composer and church musician. Educated at the conservatory in Görlitz, his primary teachers were Eberhard Wenzel and Hans Schneider. He also studied with Helmut Bornefeld and Siegfried Reda. In 1954 he began a career as a professional church musician in Niemegk, and he pursued this work at several positions until his retirement in 1998 from Cottbus, where he had been cantor at the Klosterkirche. By the time of his retirement, he had performed and directed more than 1000 vespers services and concerts in Cottbus. Graap has composed more than 700 compositions in many forms, with a particular focus on organ and choral music.
Published by Are Musik Verlag |
| Performance: | Live |
| Recorded in: | Stereo |
| Playlists: |
|
|
Options:
|
Sign up today to download piece.
Login or Register to Subscribe
See what CarsonCooman used to make this recording
|
|
|