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Tiento
Uploaded by: AMLaMort
Composer: de Cabezón, Antonio Organ: Kampen, Bovenkerk Hinsz/F.C. Schnitger Software: Hauptwerk V Views: 66
Pange Lingua
Uploaded by: EdoL
Composer: Bruna, Pablo Organ: 1684 García-Martínez, Frechilla, Spain Software: Hauptwerk IV Views: 234
Batalha de 6. tom
Uploaded by: wolfram_syre
Composer: Araujo, Pedro de Organ: 1684 García-Martínez, Frechilla, Spain Software: Hauptwerk IV Views: 145
Uploaded by:
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EdoL (08/24/15)
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Composer:
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Bruna, Pablo
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Sample Producer:
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OrganArt Media
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Sample Set:
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1684 García-Martínez, Frechilla, Spain
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Software: | Hauptwerk IV |
Genre: | Medieval and Renaissance |
Description: | Tiento (Spanish pronunciation: [ˈtjento], Portuguese: Tento [ˈtẽtu]) is a musical genre originating in Spain in the mid-15th century.
It is formally analogous to the fantasia (fantasy), found in England, Germany, and the Low Countries, and also the ricercare, first found in Italy.
By the end of the 16th century the tiento was exclusively a keyboard form, especially of organ music. It continued to be the predominant form in the Spanish organ tradition through the time of Cabanilles, and developed many variants. Additionally, many 20th-century composers have written works entitled "tiento".
A "Tiento de falsas" Is a tiento making frequent use of dissonance, so as to achieve particularly dramatic effect.
"Falsas" refers to "false notes," or dissonant tones not part of the current mode or key. It is similar to the Italian idea of Durezze e ligature (consonance and dissonance).
The Second Tono represents sadness. |
Performance: | Live |
Recorded in: | Stereo |
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