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Ranked #9 in Most Commented.
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Fuga 9
Uploaded by: wimbomhof
Composer: Johann Ernst Eberlin Organ: Van Deventer 1756, Nijkerk Software: Hauptwerk IV Views: 71
Fuga II
Uploaded by: wimbomhof
Composer: Fortunato Chelleri Organ: Noordbroek, Schnitger-Hinsz-Freytag Software: Hauptwerk IV Views: 61
Gottes Sohn ist kommen
Uploaded by: ajongbloed
Composer: Buttstett, Johann Heinrich Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 133
Präludium in g-moll
Uploaded by: Glebe
Composer: Buxtehude, Dieterich Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk V Views: 146
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Uploaded by:
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EdoL (11/30/15)
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Composer:
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Kerkhoven, Abraham van den
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Sample Producer:
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OrganArt Media
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Sample Set:
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1687 Arp Schnitger, Steinkirchen, Germany
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| Software: | Hauptwerk IV |
| Genre: | Baroque |
| Description: | Abraham van den Kerckhoven (1619-1701) came from a family of notaries, lawyers and artists. Many of them were singers and organists, working at the most important churches or the court in Brussels.
Kerckhoven was the organist of the St. Katharina church in Brussels, he worked there till his death in 1701. Apart from that he was organist at the royal court, a job in which he succeeded Johann Caspar Kerll in 1648.
His works are left to us in only one handwritten book, dated 1741 and signed by J.I.J. Cocquil, who was a priest on the kapittel in Zinnik.
There is only very limited information regarding his life and work to be found.
***Correction***
Looking at the wrong page of the book I called it "Fantasia".
My mistake... Sorry!
The addition "Chromatic" I put in myself.
Kerckhoven just calls it Fuga.
Writing chromatic preludes, fugues and fantasias was one of the often practiced techniques in North-European Renaissance and Baroque music. |
| Performance: | Live |
| Recorded in: | Stereo |
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