Sonata II in c Uploaded by: Aarnoud Composer: Mendelssohn-Bartholdy, Felix Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 584
J.N. Geoffroy - 7 Noëls - Part 1 Uploaded by: jepisi Composer: Geoffroy, Jean-Nicolas Organ: Jeux d'orgues 4 - La Chaise Dieu (1683) Software: Hauptwerk VIII Views: 350
Ciacona d-moll Uploaded by: tribuletto Composer: Pachelbel, Johann Organ: St. Georgenkirche Gottfried Silbermann Software: Hauptwerk IV Views: 137
Prelude in g minor Uploaded by: Geoff_Lloyd Composer: Buxtehude, Dieterich Organ: St. Georgenkirche Gottfried Silbermann Software: Hauptwerk IV Views: 1101
Durch Adams Fall ist ganz verderbt Uploaded by: AMLaMort Composer: Walther, Johann Gottfried Organ: St. Georgenkirche Gottfried Silbermann Software: Hauptwerk V Views: 48
Fantasia in G Minor Uploaded by: hugopalma Composer: Pachelbel, Johann Organ: St. Georgenkirche Gottfried Silbermann Software: Hauptwerk IV Views: 877
Christian Erbach (ca. 1568 – 14 June 1635) was a German organist and composer.
Erbach was born in Gau-Algesheim, Mainz-Bingen, now in the Rhineland-Palatinate Bundesland, and began to study musical composition at a considerably young age. Aside from the location of his birth and the mere fact that he studied the art of musical composition, the history of Erbach's youth is unknown.
Throughout most of his life, Erbach held the position of assistant or chief organist for the city of Augsburg. One may consider him a composer of reverence during his lifetime because many of his students, both Protestant and Roman Catholic, were attracted to his extraordinary talent. The influence upon the music of Erbach was primarily Venetian notwithstanding the indubitable characteristics of Hans Leo Haßler within his keyboard works. The most popular pieces by Erbach include In ihren grossen Nöthen (1609) and Madrigal Tirsi morir. Erbach died in Augsburg.
Outside the context of instrumental music, Erbach also wrote pieces for church services and the liturgical festivals. He was considered to have a fine ear for the organ and was thus consulted during the development of several 17th-century instruments.
(from Wikipedia)
I play this work on Silbermann St Georgenkirche (Milan) and on Laurenskerk Hoofdorgel (Sonus) so that you can compare and see which you prefer.