Psalm 121 compilation Uploaded by: FredM Composer: Marco den Toom, Cor van Dijk, Simon Landsman Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk V Views: 55
Psalm 150 Compilation Uploaded by: FredM Composer: Cor van Dijk and Marco den Toom Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk V Views: 77
Ricercare on “PANDEMIC” (2020) Uploaded by: CarsonCooman Composer: Macchia, Grimoaldo Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk V Views: 49
Come, Ye Thankful People Uploaded by: BaroqueDMX Composer: Elvey, George J. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 179
Dir, dir Jehova will ich singen Uploaded by: Bartfloete Composer: Collum, Herbert Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 89
Christian Erbach (ca. 1568 – 14 June 1635) was a German organist and composer.
Erbach was born in Gau-Algesheim, Mainz-Bingen, now in the Rhineland-Palatinate Bundesland, and began to study musical composition at a considerably young age. Aside from the location of his birth and the mere fact that he studied the art of musical composition, the history of Erbach's youth is unknown.
Throughout most of his life, Erbach held the position of assistant or chief organist for the city of Augsburg. One may consider him a composer of reverence during his lifetime because many of his students, both Protestant and Roman Catholic, were attracted to his extraordinary talent. The influence upon the music of Erbach was primarily Venetian notwithstanding the indubitable characteristics of Hans Leo Haßler within his keyboard works. The most popular pieces by Erbach include In ihren grossen Nöthen (1609) and Madrigal Tirsi morir. Erbach died in Augsburg.
Outside the context of instrumental music, Erbach also wrote pieces for church services and the liturgical festivals. He was considered to have a fine ear for the organ and was thus consulted during the development of several 17th-century instruments.
(from Wikipedia)
I play this work on Silberman St Georgenkirche (Milan) and on Laurenskerk Hoofdorgel (Sonus) so that you can compare and see which you prefer.