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Malle Sijmen
Uploaded by: alberto63
Composer: Sweelinck, Jan Pieterszoon Organ: Brescia, St. Carlo Software: Hauptwerk VII Views: 59
Malle Symen, SwWV 323
Uploaded by: yolar
Composer: Sweelinck, Jan Pieterszoon Organ: Weigle organ evang. Stadtkirche Nagold Software: Hauptwerk V Views: 205
Malle Symen
Uploaded by: cedric
Composer: Sweelinck, Jan Pieterszoon Organ: Pusztaszabolcs Software: Hauptwerk IV Views: 734
Malle Sijmen
Uploaded by: Fazioli
Composer: Sweelinck, Jan Pieterszoon Organ: Van Dam - Tholen Software: Hauptwerk IV Views: 508
Malle Symen
Uploaded by: cedric
Composer: Sweelinck, Jan Pieterszoon Organ: Pusztaszabolcs Software: Hauptwerk IV Views: 734
Fuge in g
Uploaded by: AMattes
Composer: Bach, J. S. Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 543
Prelude and Fugues 05-08
Uploaded by: EdoL
Composer: Fischer, Johann Caspar Ferdinand Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 123
Sonata 2 CPE Bach
Uploaded by: Karel_van_Ingen
Composer: Bach, Carl Philipp Emanuel Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 78
Nun komm der Heiden Heiland
Uploaded by: EdoL
Composer: Pachelbel, Johann Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk VI Views: 81
Uploaded by:
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EdoL (04/08/16)
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Composer:
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Sweelinck, Jan Pieterszoon
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Sample Producer:
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OrganArt Media
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Sample Set:
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1687 Arp Schnitger, Steinkirchen, Germany
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Software: | Hauptwerk IV |
Genre: | Medieval and Renaissance |
Description: | Mally Symen is a song, that suggests a dialog, probably between a man and a woman.
The melody is from England, (Mall Sims). Since the beginning of the 17th century it has been used by many composers: Sweelinck, Jacob van Eyck, Nicolaes Vallet and others.
There are different versions varying according to who the two people in the dialogue are:
– two lovers
– godly reason and man
– Tyter and Galathea
Jacob van Eyck set this tune for recorder flute. It is a standard part of the repertoire of most flute players.
Sweelinck set the song to music as a dialogue, but there are no indications to which text he had in mind.
Malle Symen is rather short; the recording is therefore in two parts.
The first part is played on the Hohlflote 4' of the Brustwerk. This sound a bit like the version for recorder.
The second part is the dialogue part.
The woman represented by the Krumphorn 8' on the Brustwerk and the man by the Rohrflot 8' on Hauptwerk.
The dialogue is very lively and the man speaks the last words, something, which in my experience with women (hardly) ever occurs. |
Performance: | Live |
Recorded in: | Stereo |
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