Of course I had to try Lohet on Haarlem as well. Lohet’s eighteenth fugue is again some dense contrapuntal writing. The first part of the fugue is setup as a mono thematic fugue. Somewhere around twothird of the piece it changes in a double fugue. In the original edition the alto and tenor voice play the second theme in unisono. I have the feeling it is an editorial error. But since I have no other source, I leave it as it is.
BW: Praestant 8′, Baarpijp 8′, Octaaf 4′, Nasard 3′, Dolceaan 8′
Ped: Subbas 16′, Octaaf 8′, Octaaf 4′
Score available here: