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Canzona (op. 86,2)
Uploaded by: mweyand
Composer: Karg-Elert, Sigfrid Organ: 1904 Wilhelm Sauer, Dortmund, Germany Software: Hauptwerk IV Views: 487
Versos and Canzona in g
Uploaded by: EdoL
Composer: Zipoli, Domenico Organ: 1684 García-Martínez, Frechilla, Spain Software: Hauptwerk IV Views: 179
Canzona tertii toni
Uploaded by: yolar
Composer: Erbach, Christian Organ: Klais organ (2022), Lubin Software: Hauptwerk VII Views: 54
Psalm 9
Uploaded by: wimbomhof
Composer: * My Own Composition Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 90
Marche Solennelle
Uploaded by: Frans
Composer: Alphonse Mailly 1833-1918 Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 593
Canzonetta in G, BuxWV 167
Uploaded by: sanden
Composer: Buxtehude, Dieterich Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 198
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Uploaded by:
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sanden (05/08/16)
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Composer:
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Bach, J. S.
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Krzeszow Organ by Michael Engler (1732-37)
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| Software: | Hauptwerk IV |
| Genre: | Baroque |
| Description: | Canzona in D minor BWV 588 by J. S. Bach, composed in 1715.
Among the compositions of other composers that Bach copied for personal interest, are the "Fiori Musicali" by Frescobaldi, to which the German musician dedicated himself intensively in the last years of his stay in Weimar. It is likely, therefore, to assume that the Canzona in D minor BWV 588, which is affected in obvious manner as Frescobaldi, was written at that time. The theme of Bach is very similar to that of "Canzona dopo l'Epistola" (no. 43 of the Fiori Musicali), and the color of the first section countersubject still reveals, behind him, a model of Italian madrigal ancestry. The Canzona Bach is in two sections, scanning among which is marked by a rhythmic passage that still can be explained by Frescobaldi. The treatment of the material, however, indicates that use of the technique of variation that is typical of Bach and showing how he tended to metabolize the study of the old masters, but not limited to the example or learn to imitate him, but turning it to integrate it into the world music that was just right.
- In "Attachments" the free musical score. |
| Performance: | Live |
| Recorded in: | Stereo |
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