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Echo Fantasia in d
Uploaded by: Bartfloete
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Uploaded by: wimbomhof
Composer: Sweelinck, Jan Pieterszoon Organ: Van Deventer 1756, Nijkerk Software: Hauptwerk IV Views: 47
Fuga in d
Uploaded by: EdoL
Composer: Murschhauser, Franz Xaver Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk VI Views: 76
Rondo F-Dur
Uploaded by: mweyand
Composer: Knecht, Justin Heinrich Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 308
Trumpet Tune (2004)
Uploaded by: CarsonCooman
Composer: Sobaje, Martha Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 175
Freu dich sehr, o meine Seele
Uploaded by: EdoL
Composer: Knecht, Justin Heinrich Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 170
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Uploaded by:
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EdoL (05/16/16)
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Composer:
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Kittel, Johann Christian
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Sample Producer:
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OrganArt Media
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Sample Set:
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1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany
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| Software: | Hauptwerk IV |
| Genre: | Classicism |
| Description: | Johann Christian Kittel (1732 – 1809) was a German organist, composer, and teacher. He was one of the last students of Johann Sebastian Bach.
Kittel was born and died in Erfurt. He first studied with Jakob Adlung.
He moved to Leipzig in 1748 and was a favourite - and last - pupil of Johann Sebastian Bach until his death two years later. He was appointed organist and teacher in Langensalza in 1751, following which he returned to Erfurt as organist of the Barfüßerkirche, in 1756, moving to the Predigerkirche in 1762.
He refused many generous and more munificent offers, including one in 1790 from Duchess Anna Amalia of Saxe-Weimar to travel to Italy, remaining in Erfurt for the rest of his life. He played many evening recitals there and was famous as a virtuoso organist; Goethe, Herder, and Wieland all went to hear him play, and he made a concert tour to Hamburg in 1800, remaining there for a year while preparing a book of chorales for Schleswig-Holstein.
He considered himself to be "grounded in the principles of Bach" and aimed "to awaken, maintain and heighten feelings of devotion in the hearts of his hearers by means of music". His teaching and composition fulfilled this aim by a restriction to simple forms which were best suited to liturgical use.
Hauptwerk: 16', 8', 4', 2'
Ped: 16', 8; 4' |
| Performance: | Live |
| Recorded in: | Stereo |
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