Éric Alfred Leslie Satie (17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, Surrealism, repetitive music, and the Theatre of the Absurd.
An eccentric, Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds"), preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie was "a thinker with a gift of eloquence" who left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
A heavy drinker, he drank himself to death at the early age of 59, and is buried in the cemetery in Arcueil.
Trois Gymnopédies date from the year 1888 and are the composer's most popular works, appearing in many forms and guises. These transcriptions were done by Peter J. Maxwell and published M.S.M. Music Publishers in 1976. The transcriptions themselves are superb, but the registrations, which I have complete avoided call for things such as "Clarion, Tierce," etc., which would be completely out of character.
These works are SO famous that it's hard to find "something new" in them. I've tried to "play them without planning," letting the music dictate to me as to what or what not to do...
A photo of Éric Satie is attached.