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Canzona
Uploaded by: alberto63
Composer: Jean Paul Verpeaux Organ: Eisenbarth, Friesach (2000) Software: Hauptwerk IV Views: 46
Canzona
Uploaded by: ajongbloed
Composer: Lohet, Simon Organ: G. Silbermann Stadtkirche Zöblitz, 1742 Software: Hauptwerk IV Views: 118
Canzona IV
Uploaded by: Marco_Lo_Muscio
Composer: Carson Cooman Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 164
Canzona in Fa
Uploaded by: alberto63
Composer: Zipoli, Domenico Organ: Adriatic Organ Model Software: Hauptwerk IV Views: 35
Canzona in G
Uploaded by: Bartfloete
Composer: Tunder, Franz Organ: 1730 Trost, Waltershausen, Germany Software: Hauptwerk IV Views: 181
Canzona III (2013)
Uploaded by: Hoofdwerk
Composer: Cooman, Carson Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 308
Psalm 27
Uploaded by: Wibo
Composer: M. den Toom Organ: Steendam, Eben-Haëzerkerk (1997) Software: Hauptwerk IV Views: 141
Shalom (1996)
Uploaded by: CarsonCooman
Composer: Warren, Norman Organ: Steendam, Eben-Haëzerkerk (1997) Software: Hauptwerk IV Views: 314
Uploaded by:
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CarsonCooman (11/23/16)
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Composer:
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Cooman, Carson
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Sample Producer:
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Hauptwerk NL
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Sample Set:
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Steendam, Eben-Haëzerkerk (1997)
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Software: | Hauptwerk IV |
Genre: | Contemporary |
Description: | Carson Cooman (b. 1982) — Canzona III (2013) for organ
"Canzona III" (2013) is dedicated to Susie Jarrell, the prime mover behind the yearly Nantucket Organ Crawl, and an important presence for many years in the island's musical life as organist, pianist, teacher, and concert organizer. The music is based primarily upon a mixed mode that is a cross between the Lydian and Mixolydian modes (C-D-E-F#-G-A-Bb). In the manner of instrumental canzoni of the late 16th century, the work is in several sections, with thematic connections. The opening section pursues a two-voice contrapuntal treatment of a typical canzona rhythm, though with an added syncopation. The second section is quiet and very slow, in the manner of Girolamo Frescobaldi's elevation toccatas: filled with long suspensions and resolutions. The final section is a joyful rondeau, which moves from a pure C major to the mixed mode again.
Published by Wayne Leupold Editions, Inc. in "Carson Cooman: Organ Music, Vol. 10" |
Performance: | Live |
Recorded in: | Stereo |
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