Kurt Hessenberg was born in 1908 in Frankfurt am Main, Germany, as the fourth and last child of the lawyer Eduard Hessenberg and his wife Emma.
Among his ancestors was Heinrich Hoffmann, whose famous children's book Struwwelpeter Hessenberg was to arrange for children's choir (op. 49) later in his life.
From 1927–1931 Hessenberg studied at the Leipzig Conservatory. Among his teachers were Günter Raphael (composition) and Robert Teichmüller (piano). In 1933 Hessenberg became a teacher at the Hoch'sche Konservatorium in Frankfurt am Main, where he himself had taken his earliest music lessons.
In 1940 Hessenberg received the "Nationaler Kompositionspreis" (national prize for composition), joined the NSDAP in 1942, and in 1951 he was awarded the Robert-Schumann-Prize of the city of Düsseldorf for his cantata "Vom Wesen und Vergehen" op. 45.
Hessenberg was appointed professor of composition at the Hochschule für Musik und Darstellende Kunst in 1953 and taught there until his retirement in 1973. He died in Frankfurt am Main on 17 June 1994.
Hessenberg's work contributed significantly to the repertoire of the Protestant churches in the 20th century. Among his most noted students were Hans Zender and Peter Cahn.
I never heard of him before (not that THAT accounts for much), and I was fascinated by this piece, that I found in a Dutch book of hymnal preludes.
This soft and intimate piece depicts the awaiting of the Lord. It is in a very moderate contemporary idiom.
Tempo is: Sehr Langsam
Michael (Bartfloete) also did this piece. His fine interpretation is here:
http://www.contrebombarde.com/concerthall/music/23371
Link to website about Hessenberg:
http://www.kurthessenberg.de/en/index.htm
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