Toccata op.59 No. 5

Anton Feith had built the whole organ into one single swell box - Sonus paradisi has restored this feature for their sampleset (the Great Organ was excluded from the swell box of the real organ later). This allows to follow Reger's dynamic indications rather easily, without too much piston pushing or extensive use of the crescendo roll. I use the Walze only for the last page.