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Comments (2)
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Trio 2, G dur
Uploaded by: ajongbloed
Composer: Mohrheim, Friedrich Christian Samuel Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 277
Trio n.9 op. 49
Uploaded by: alberto63
Composer: Rheinberger, Josef Organ: 1904 Wilhelm Sauer, Dortmund, Germany Software: Hauptwerk IV Views: 87
Trio X, a moll
Uploaded by: ajongbloed
Composer: Sorge, Georg Andreas Organ: Veendam, Kandelaarkerk, Kaat & Tijhuis Software: Hauptwerk IV Views: 274
Pastorale Op. 19
Uploaded by: Glebe
Composer: Franck, César Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 438
Fiat Lux
Uploaded by: pc-und-musik
Composer: Dubois, Theodore Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 165
Psalm 33, Jan Slagt
Uploaded by: FredM
Composer: Slagt, Jan Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk V Views: 27
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Uploaded by:
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ThomasEngler (01/12/17)
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Composer:
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Sorge, Georg Andreas
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Caen - St. Etienne Cavaillé Coll
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| Software: | Hauptwerk IV |
| Genre: | Baroque |
| Description: | Georg Andreas Sorge (21 March 1703 in Mellenbach, Thuringia – 4 April 1778) was an organist, composer, and, most notably, theorist. His references to Johann Sebastian Bach show that they were friends, and he composed three fugues for organ on the name BACH (BWV Anh. 107, 108 and 110). He joined Lorenz Christoph Mizler's Corresponding Society of Musical Sciences in 1747, just a month after Bach himself.
Sorge's writings on thorough-bass and harmony are very competent, and his theoretical grasp of unequal temperaments excelled even that of J. G. Neidhardt (though still taking 1⁄12 comma as an indivisible unit of measure. He cited Bach as 'witness' that regular 1⁄6-comma meantone temperament was inadequate to 'modern' harmony, and he dismissed Johann Philipp Kirnberger's schemes of temperament as 'no good'.
(en.wikipedia.org)
Temperament: Werkmeister III
Positif: Principal 8, Flute4, Cromorne
Grand-Orgue: Flute 8, Bourdon 8, Flute 4
Pedale: Soubasse 16, Bourdon 8, Violoncelle 8 |
| Performance: | Live |
| Recorded in: | Stereo |
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