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Herzliebster Jesu
Uploaded by: AAHunt
Composer: * My Own Composition Organ: 1686/1860 Bosch-F.C. Schnitger, Vollenhove, Netherlands Software: Hauptwerk IV Views: 65
Liebster Jesu, wir sind hier
Uploaded by: EdoL
Composer: Armsdorff, Andreas Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk VII Views: 80
Allein Gott in der Höh sei Ehr
Uploaded by: EdoL
Composer: Gerritz, Peter Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk V Views: 118
Sonata IV
Uploaded by: Tuba_Mirum
Composer: Bach, Carl Philipp Emanuel Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 562
Aus tiefer Not variation 1
Uploaded by: chieljan
Composer: * My Own Composition Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 385
Präludium D-Dur BWV 532
Uploaded by: Glebe
Composer: Bach, J. S. Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 805
Uploaded by:
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EdoL (07/24/17)
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Composer:
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Armsdorff, Andreas
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Sample Producer:
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OrganArt Media
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Sample Set:
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1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | Andreas Armsdorff (1670 – 1699) was a German composer and organist.
He was born in Mühlberg, near Gotha, and studied music and law. At some point in his early life he moved to nearby Erfurt where he may have studied with Johann Pachelbel. He worked as organist in various churches in Erfurt: Reglerkirche, Andreaskirche, and Kaufmannskirche. He died in Erfurt at the age of 29.
Armsdorff's early death was not an obstacle to the posthumous popularity of his music. His organ chorale preludes survive in numerous manuscript copies that circulated in Germany for decades after Armsdorff's death.
Writing in 1758, Jakob Adlung praised Armsdorff's music as "agreeable to the ear." He was particularly known for his fugal writing, and traces of advanced imitative technique are present in the surviving works, particularly the two chorale preludes that employ the rare form of chorale canon: Allein Gott in der Höh and Es spricht der Unweisen Mund.
Armsdorff mostly employed typical Central German chorale styles, however, in a few pieces he used the ornamented descant type, more widespread in the North (Allein zu dir, Herr Jesu Christ).
Today, some 30 chorale preludes for organ are the only surviving pieces by Armsdorff, although there is evidence of lost vocal works, as well as numerous keyboard pieces.
A picture of one of his churches and the music are included. |
Performance: | Live |
Recorded in: | Stereo |
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