Bertram Luard-Selby (12 February 1853 – 26 December 1918) was an English composer and cathedral organist. As an organist, he served in Salisbury Cathedral and Rochester Cathedral. As a composer, he wrote prolifically for the church, the concert-hall and the theatre.
Luard-Selby was born at Ightham Mote, Kent. He studied the organ at the Leipzig Conservatoire, and was organist at, successively, St. Barnabas, Marylebone, and Highgate School (1876); Salisbury Cathedral (1881); St. John's, Torquay, 1884; and St. Barnabas, Pimlico, 1887. He was appointed organist of Rochester Cathedral on the death of the incumbent, John Hopkins, in 1900, and held the post until 1916, when he took a post at Bradfield College. He was the musical editor of Hymns Ancient and Modern, published in 1904. He also gave chamber music concerts in London in the 1880s.
At the Three Choirs Festival of 1877, Luard-Selby's Kyrie Eleison was premiered at a concert together with two other novelties, Sullivan's In Memoriam and Brahms's German Requiem. He composed two school cantatas, The Waits of Bremen and A Castle in Spain; chamber music including two piano quintets; a piano quartet; three sonatas for violin and piano; and many songs and part-songs. His church music includes two settings of the Magnificat and Nunc dimittis, 16 anthems, and a number of pieces for the organ.
Among Luard-Selby's orchestral works were Village Suite, which premiered at the Henry Wood Proms in 1908, and An Idyll. In addition he wrote a great deal of music for the theater.
Luard-Selby died in Brigg, Lincolnshire at the age of 65.
"A Short Postlude" is a VERY unusual work! It sound MUCH more "modern" than it is, and it takes off and flies in what struck me as an almost magical flight! I guess it's "Germanic-influenced," but it's impassioned-rhapsodic feel REALLY struck me! It's FAR from the "normal" Postlude!
The score is attached below, as well as photo of the composer, and of the places that he served.