Christum wir sollen loben schon Uploaded by: EdoL Composer: Erich, Daniel Organ: 2012 Metzler, Poblet Abbey, Spain Software: Hauptwerk V Views: 121
Passomezzo und Saltarello (1577) Uploaded by: EdoL Composer: Schmid, Bernhard Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 359
Toccata C-Dur Uploaded by: EdoL Composer: Sweelinck, Jan Pieterszoon Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 328
Christum wir sollen loben schon Uploaded by: EdoL Composer: Böhm, Georg Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 196
Trio-Sonata in D - 4. Scherzando Uploaded by: ESchoen Composer: Georg Philipp Telemann (1681 - 1767) Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 242
Chrits lag in Totesbaden Uploaded by: Karel_van_Ingen Composer: Tunder, Franz Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 90
Daniel Erich (1649 - 1712) was a German organist and composer. He studied with Buxtehude and became organist at the parish church in Güstrow (also the Marienkirche) in 1679, a position he held until his death. Besides organist Erich also enjoyed a high reputation as an organ teacher and authority on the instrument. Until the discovery of the Neumeister manuscript only three of his compositions were known. The Neumeister contained an new work by his hand, the prelude to "Christum wir sollen loben schon". It is a fantastic work that brings something unique to the genre of the choral prelude. It has a virtuosic introduction after which the choral melody is played with bass voice. Erich bases the accompaniment on the other three voices on the first phrase of the choral melody. With its repeated noted and the sixteenth motive it creates a strong pulse that drives the piece onwards. Combine that with some unusual harmonies and you have a unique piece.