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Rigaudon
Uploaded by: amateurorg
Composer: Campra, Andre Organ: Haverhill OIC Software: Hauptwerk IV Views: 882
Rigaudon
Uploaded by: bishfan
Composer: Andre Campra Organ: Madeleine Paris - Cavaillé-Coll Software: Hauptwerk IV Views: 865
Rigaudon
Uploaded by: contrabourdon
Composer: Böhm, Georg Organ: William Hill English Organ Model Software: Hauptwerk V Views: 101
Rigaudon
Uploaded by: Fazioli
Composer: Andre Campra (Arr. Lyn Larsen) Organ: Palace of Arts Budapest Software: Hauptwerk IV Views: 1082
Rigaudon
Uploaded by: contrabourdon
Composer: Böhm, Georg Organ: William Hill English Organ Model Software: Hauptwerk V Views: 101
Fuga (Cocquiel Manuscript 350)
Uploaded by: EdoL
Composer: Jacobus la Fosse (1671-1721 ??) Organ: 1723 F. C. Schnitger, Duurswoude, Netherlands Software: Hauptwerk IV Views: 123
Fuga in C. BuxWV 174
Uploaded by: wolfram_syre
Composer: Buxtehude, Dieterich Organ: 1723 F. C. Schnitger, Duurswoude, Netherlands Software: Hauptwerk IV Views: 272
Fugue in D minor
Uploaded by: jocr
Composer: Kellner, Johann Peter Organ: 1723 F. C. Schnitger, Duurswoude, Netherlands Software: Hauptwerk IV Views: 628
Rigaudon
Uploaded by: EdoL
Composer: Böhm, Georg Organ: 1723 F. C. Schnitger, Duurswoude, Netherlands Software: Hauptwerk IV Views: 311
Pavana Lachrimae
Uploaded by: EdoL
Composer: Sweelinck, Jan Pieterszoon Organ: 1723 F. C. Schnitger, Duurswoude, Netherlands Software: Hauptwerk IV Views: 198
Uploaded by:
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EdoL (09/14/18)
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Composer:
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Böhm, Georg
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Sample Producer:
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OrganArt Media
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Sample Set:
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1723 F. C. Schnitger, Duurswoude, Netherlands
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | Just a little fun by mr. Boehm using almost all of the beautiful stops of the Duurswoude organ.
The rigaudon (also spelled rigadon, rigadoon) is a French baroque dance with a lively duple metre. The music is similar to that of a bourrée, but the rigaudon is rhythmically simpler with regular phrases (eight measure phrases are most common).
It originated as a sprightly 17th-century French folk dance for couples. Traditionally, the folkdance was associated with the provinces of Vavarais, Languedoc, Dauphiné, and Provence in southern France, and it became popular as a court dance during the reign of Louis XIV.
Its hopping steps were adopted by the skillful dancers of the French and English courts, where it remained fashionable through the 18th century. By the close of the 18th century, however, it had given way in popularity as a ballroom dance (along with the passepied, bourrée, and gigue) to the minuet. |
Performance: | Live |
Recorded in: | Stereo |
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