Ripieno e Pifferata Pastorale (8) Uploaded by: alberto63 Composer: Padre Narciso da Milano Organ: 1684 García-Martínez, Frechilla, Spain Software: Hauptwerk IV Views: 57
Pastorale Op 156 Uploaded by: Erzahler Composer: Bonis, Mel (Mélanie Hélène) Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 79
Pastorale from Orgelsonate 1 Uploaded by: pahasoft Composer: Guilmant, Alexandre Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 646
Pastorale in E Uploaded by: Agnus_Dei Composer: Lemare, Edwin H. Organ: Peterborough Cathedral Hill Software: Hauptwerk IV Views: 151
Toccata Pastorale in F major Uploaded by: sanden Composer: Pachelbel, Johann Organ: AVO Jehmlich Organ composite from Hungary Software: Hauptwerk IV Views: 832
Praise and Thanksgiving (2013) Uploaded by: CarsonCooman Composer: Wagner, Douglas E. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 141
Sinfonietta: Cantilena (1994) Uploaded by: CarsonCooman Composer: Åberg, Thomas Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 528
Kommt ihr Toechter Uploaded by: GuidoSmo Composer: Bach, J. S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 60
Fugue No. 34 Uploaded by: KatoYuitiro Composer: * My Own Composition Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 21
Burkhard Mohr (b. 1955) — Pastorale forte (from Klang-Kalender) (2013) for organ
German composer Burkhard Mohr (b. 1955) was born in Gamsbach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.