Sortie (Postlude)

Sortie (Postlude) 1967 Dedicated to Mildred Vinton Drew.

This is for Keys61 in the hope that his congregation stays seated and applaudes at the conclusion if he plays this.

It is interesting and maybe frustrating that the music of Titcomb does not appear to have Opus numbers or composition dates easily available.

All the organ music by Titcomb is on ISMLP

The music of Everett Titcomb (1884-1968) occupies a unique niche in the catalogue of sacred organ and choral works by 20th-century Anglican composers in the United States. His compositional voice was clearly influenced by the Bostonian giants of his youth (Eugene Thayer, Dudley Buck, George Chadwick, Horatio Parker--who's mother once had Titcomb as a border) as well as his affinity for French music; yet at the same time his work is informed by his vast knowledge and understanding of plainchant and the polyphonic style of the 15th and 16th century Italians. An Anglo-Catholic who spent fifty years nearly to the day (1910-1960) as organist and choirmaster at Boston's Church of St. John the Evangelist in Bowdoin Street, his best organ works are based on plainchant tunes making them of more value to the Roman Catholic organist of the time than to the majority of Episcopalian ones and some of his best polyphony is in the form of Latin motets which while used at St. John's and other Anglo-Catholic parishes were perfectly at home sung at a Roman Mass.
Notes by Agnus_Dei