After yesterday's upload, I thought I might as well play all three existing choral preludes by Christian Geist. So here's the second.
When playing through this piece, I felt it needs a soft, delicate, almost intimitate sound. I have no real arguments for that. In fact, if I were to play it with the registration I used yesterday for the other Geist composition, it would probably sound great. But choosing a registration is not about objective facts, or registration rules learned, it is about thinking what effect or feel you want to reach. And today, I feel an intimate sound is best for this composition.