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Comments (8)
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Toccata (2005)
Uploaded by: CarsonCooman
Composer: Ferrarini, Marco Organ: Rosales, opus 11, Portland, Oregon Software: Hauptwerk IV Views: 384
Toccata op.57
Uploaded by: PLRT
Composer: Stanford, Charles Villiers Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 1083
Toccata in c
Uploaded by: tf11972
Composer: Schuster, Walther R. Organ: Waldkirchen, St. Peter Und Paul Software: Hauptwerk VI Views: 229
Toccata en ré mineur
Uploaded by: Aarnoud
Composer: Bélier, Gaston Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 430
Canon Op. 21, 3
Uploaded by: wolfram_syre
Composer: Salomé, Théodore Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 79
Fuga in g (BWV578)
Uploaded by: bkriekaard
Composer: Bach, J. S. Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 916
Cantabile
Uploaded by: EdoL
Composer: Bellens, Jozef Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 310
Psalm 138
Uploaded by: SancteMichael
Composer: * My Own Transcription Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 45
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Uploaded by:
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GeoffP (04/12/20)
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Composer:
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Widor, Charles-Marie
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Sample Producer:
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Milan Digital Audio
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Sample Set:
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Notre Dame de Metz Mutin/Cavaillé-Coll
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| Software: | Hauptwerk IV |
| Genre: | Romantic |
| Description: | My project for this week has been well known French Toccatas. Unsurprising there are many performances of this piece on the concert hall. Surprisingly, extremely few have used Metz, which seems to me to be an obvious choice. In all the years we have had Metz I think it has held its own: it delivers a lot of firepower from a relatively compact design, and it's further-from-the-pipes recording style gives it an atmospheric, impressionistic quality which I think is suited to French symphonic and French 20th century music. My first recording, though I thought it went well while playing, sounded bad to me when I played it back, like a musical equivalent of scrambled egg. I listened to Widor's own performance on Youtube and tried slowing down to his pace. I practiced using Trost to hear everything, attempting to get robotic accuracy. Then I watched videos of performances of this in the great Paris
churches to get the mood and atmosphere, then went back to Metz and tried to add more expression and get the atmosphere. So imagine you are in 19th century Paris whilst listening to this.... |
| Performance: | Live |
| Recorded in: | Stereo |
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