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Voluntary in D Minor, Op. 7, No. 3

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Uploaded by: Agnus_Dei (11/23/20)
Composer: Stanley, John
Sample Producer: Lavender Audio
Sample Set: Hereford Cathedral Willis Organ
Software: Hauptwerk IV
Genre: Baroque
Description:
John Stanley was born in London on 17th January, 1712. At about the age of two, he had the misfortune to fall on a marble hearth with a china basin in his hand, an accident which left him almost blind.

He began studying music at the age of seven. Under the guidance of Maurice Greene, composer and organist at St. Paul's Cathedral, he studied "with great diligence, and a success that was astonishing" (Burney). At the age of nine he played the organ, probably as an occasional deputy, at All Hallows, Bread Street. The organist died on 23rd September 1723 and exactly one month later eleven-year-old Stanley was appointed organist to the church at a salary of £20 per annum.

When he was fourteen "in preference to a great number of candidates" (Burney) he was chosen as organist at St. Andrew's, Holborn and at the age of seventeen became the youngest person ever to obtain the Bachelor of Music degree (B.Mus.) at Oxford University.

In 1734 he was appointed organist to the Society of the Inner Temple - a position he held until his death. It was at the ancient Temple Church that his brilliant playing upon the organ and harpsichord attracted the attention of many fine musicians including Handel who regularly visited the church to hear him.

The "Voluntary in D Minor Op. 7 No. 3" is a typical voluntary by its composer, in that it is a two movement work, meaning a slow movement for the diapasons, followed by a faster, "solo" section.

In this case the solo is the Cornet of the Choir, and the echo is a combination with oboe and diapasons on the Swell. The echo actually has much more material than does the solo!

This is another one that was torture in hoping that I could get through it without messing it up. I like the pieces, but hate them for being so "tense." I guess it's my poor hand position, which I never bothered to correct.

The score is attached below, as well as two portraits of John Stanley, and an 18th century image of the Temple Church.
Performance: Live
Recorded in: Stereo
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