Allegretto (6) Pastorale G Uploaded by: jepisi Composer: André, Julius Organ: Vouvry Carlen Organ in Switzerland Software: Hauptwerk V Views: 32
Pastorale Uploaded by: Cantor Composer: Frescobaldi, Girolamo Organ: 1686/1860 Bosch-F.C. Schnitger, Vollenhove, Netherlands Software: Hauptwerk IV Views: 690
Pastorale - op 156.8 Uploaded by: WAF80 Composer: Rheinberger, Josef Organ: 1884/1995 Walcker-Eule, Annaberg, Germany Software: Hauptwerk VI Views: 83
Pastorale in A Uploaded by: ESchoen Composer: Joseph Bonnet (1884-1944) Organ: Oloron-Sainte-Marie Software: Hauptwerk IV Views: 122
Charles Wesley [Junior] - Pastorale in G Uploaded by: jepisi Composer: Wesley, Charles (Junior) Organ: St. Peter and St. Paul, Cudham (English organ - beta) Software: Hauptwerk VI Views: 65
Festive Trumpet Tune Uploaded by: conn652t Composer: David German Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 313
Sortie from "Petite suite en bleu" Uploaded by: PLRT Composer: Michel, Johann-Mathias Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 348
Trio on "Grosser Gott" Uploaded by: Andrew Grahame Composer: from the Katholisches Gesangbuch (1774) Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 83
Clifford Harker (1912-1999) was most known for his long and distinguished tenure as organist of Bristol Cathedral.
He took over the console of Bristol Cathedral at a time of great change. Hubert Hunt had ruled the organ loft for most of the first half of this century but his successor, Alwyn Surplice, stayed for just three years before moving to Winchester. Between his appointment in 1949 and his retirement in 1983, Harker held firm to the musical and choral traditions of Bristol's great 12th-century centre of worship creating a force of stability for those who worshipped and sang there.
"Pastorale'" is the first of "Three Pieces (based on Plainsong Themes)" published by Bosworth & Co. Ltd. in 1956.
The work uses the famous (to some) "Rosy Sequence" for its theme. The Rosy Sequence is part of the hymn "Jesu, dulcis memoria", used as a sequence for the Feast of the Name of Jesus in the Sarum rite. Often the text is used as a Communion Hymn, but it would be appropriate on any feat commemorating the Name of Jesus.
The style is expressive and the music is quite reminiscent of the works of Ralph Vaughan Williams, which is no bad thing.
The shape and flow are exemplary.
Several photos of Clifford Harker, as well as some of the magnificent Bristol Cathedral are attached below.