J.S.Bach must have had a dedicated line to heaven when the notes were dictated to him from the very highest authority ...
Joking aside ... here comes the greatest organ work that has ever existed for me. And a dream comes true to be able to interpret it myself and present it to you on this platform.
I originally played the prelude a bit faster, but took out the tempo again, so that the sharp dotted notes come out better (e@4/.0///e@4///). I found this remarkable in Maud Gratton's recording and did the same.
I have attached the fugue directly, where I have made some final adjustments.