Comments (1)
Comment on this music
Login/Register to post a comment.
|
Impressions
Uploaded by: Streicher
Composer: Schütz, Michael Organ: Cavaillè-Coll, Saint Eucaire (1902) Software: Hauptwerk IV Views: 391
Divertissement
Uploaded by: thways
Composer: Vierne, Louis Organ: St. Anne's Moseley Software: Hauptwerk IV Views: 287
Canon
Uploaded by: Tungsan
Composer: Walter Battison Haynes Organ: St. Anne's Moseley Software: Hauptwerk IV Views: 628
Uploaded by:
|
CarsonCooman (02/04/21)
|
Composer:
|
Sawa, Marian
|
Sample Producer:
|
Milan Digital Audio
|
Sample Set:
|
St. Anne's Moseley
|
Software: | Hauptwerk VI |
Genre: | Contemporary |
Description: | Marian Sawa (1937–2005) — Impression II (1969) for organ
The Polish composer, organist, and teacher Marian Sawa (1937–2005) wrote approximately 800 pieces in various genres. His several hundred organ solos make him the most prolific organ composer in Polish music history by a large margin. As a sought-after specialist in improvisation, Sawa taught the subject for many years at several conservatories, most notably the Chopin Academy of Music in Warsaw. Building in a modernist manner on the Polish romantic musical tradition of Surzyński and Nowowiejski, Sawa continued their integration of fragments and phrases from Polish church hymns and folk music into works of serious concert music. Sawa’s personal style thus draws strongly upon traditional Polish music and Gregorian chant; to this is added influences from the Polish avant-garde, including block formal structures and improvisatory ideas of developing variation. Sawa’s personal vocabulary makes his music instantly recognizable, and the wide range of expression achieved across his output marks him as arguably the greatest Eastern European organ composer of the 20th century.
Published by the Marian Sawa Society ( https://mariansawa.org) |
Performance: | Live |
Recorded in: | Stereo |
Playlists: |
|
Options:
|
Sign up today to download piece.
Login or Register to Subscribe
See what CarsonCooman used to make this recording
|
|
|