Chanson (Seven Sketches, Op. 34, No. 2)

Edward Shippen Barnes (September 14, 1887 in Seabright, New Jersey – February 14, 1958, in Idyllwild, California) was an American organist. He was a graduate of Yale University where he studied with Horatio Parker and Harry Jepson. After graduating from Yale, Barnes continued his studies in Paris with Louis Vierne,Vincent D'Indy, and Abel Decaux. He worked as organist at the Church of the Incarnation, New York (1911–1912), Rutgers Presbyterian Church, New York (1913–1924), St. Stephen's Episcopal Church, Philadelphia (1924–1938), and the First Presbyterian Church, Santa Monica (1938–1958).

Although he is largely forgotten as a composer, Barnes was quite successful, composing several signifcant organ symphonies, suites, and shorter works. He is most remembered for his harmonization of the Christmas carol, "Angels, we have heard on high," appearing in most American hymnals.

"Seven Sketches" were published by The Boston Music Co. in 1923. The group of pieces shows considerable variety. Some of the works show the strong influence of Louis Vierne, while others are much more "American" in their outlook.

The second work in the collection is "Chanson".

This is very atmospheric and quite "modern" in conception. Barnes uses "novel registrations" in this work, and these must be followed, at least terms of stop pitches, in order to get the effect intended.

The chanson floats along, always quiet, but still with a fine sense of line, shape and climax. This one benefits a lot from a good acoustical environment, but would still be successful in a drier room, if the organ is smooth and "romantic" in the sounds and voicing.

The score is attached below, as well as photos of Edwin Shippen Barnes and Lynwood Farnam, as well as some of the churches Barnes served.