Adagio und Presto aus der Sonate h-moll T40.147

Here now follow the remaining movements from the duet, to which I have again added a bass part.
Pay attention to the first chord of the Adagio. I had always believed that Beethoven was the first composer to introduce a piece of music with a dissonance - and then something like this - madness!
In the Presto, I had to gradually take out tempo, but it only sounds good from 150 BPM down. A problem are namely the together sounding eighth note movements and the tone repetitions in it. I find that the Mascioni organ to Azzio is well suited for this piece, to which I now wish you much listening pleasure!