Liedsatz, Trio und Fuge in F - When Love Is Kind

It gave me no peace .....

I have now built a song movement and a trio around the fugue and to give the whole composition a sensible structure.

Reasonable?

The comments have given me no peace. Defiant minor. Now I have taken out some more tempo in the fugue and yes, in the coda in bars 93 and 95 the first beat where everyone expects a C is a C sharp, the leading note to the parallel minor key of F major (namely D minor) sounds in the broad stress like the angry stomping of "Rumpelstiltzchen", an evil character from one of the many German fairy tales by the Brothers Grimm. These bars give the piece something of a demonic character - so that the listener is not left completely perplexed, the song movement comes again after the fugue and provides a conciliatory end ....

I think a well-rounded piece of music has now emerged .....