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Fuga in Do
Uploaded by: Ultimerrimo
Composer: Pachelbel, Johann Organ: Bückeburg, Janke Organ Software: Hauptwerk IV Views: 24
Sortie
Uploaded by: alberto63
Composer: Ernest Grosjean Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 76
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Uploaded by:
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Agnus_Dei (11/03/25)
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Composer:
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Mulet, Henri
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Caen - St. Etienne Cavaillé Coll
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| Software: | Hauptwerk IX |
| Genre: | Early 20th century |
| Description: | Henri Mulet (1878 - 1967) was a French composer, organ, harmonium and cellist.
He was born in Paris where his father Gabriel was choirmaster of the Basilica of Sacré-Cœur, where his mother would also play the harmonium; as a boy he sometimes deputised for her. He studied at the Paris Conservatoire from 1890, where his teachers included Jules Delsart, Raoul Pugno, Xavier Leroux, Alexandre Guilmant and Charles-Marie Widor. He originally intended to be a cellist, but later served as an organist at Saint-Pierre-de-Montrouge and also taught at the École Niedermeyer and the Schola Cantorum, where he worked with his friend Vincent d'Indy. From 1922 to 1937 he was organist at St. Phillippe du Roule.
Mulet's most notable works are for organ: the Esquisses byzantines (1914-1919) and the Carillon sortie (1911/12). The former, a set of ten pieces, was a recollection of the Romano-Byzantine style of Sacré-Cœur and five of the pieces are named after some of its architectural features.
In 1922 Mulet published an attack on modern schools of organ building; this was followed by similar essays. He deplored the trend to create organs which he felt were more appropriate for the cinema than for the church.
In 1937, following a financial crisis, he destroyed his manuscripts and many of his possessions and left Paris for Draguignan. There he continued as organist until 1958, often in poverty (his wife opened a toyshop in the hope of increasing their income). Ill-health led Mulet and his wife to retire to a convent in Draguignan, where he died in 1967.
"In Paradisum" is the ninth piece of the set of ten "Esquisses byzantines". It's nothing like Faure's setting in his beloved "Requiem". This one is far more gloomy and definitely a dirge. It is only at the end that we finally turn to the major, but even there, the release is slight.
The text of In Paradisum is given in the First Comment.
The score and photos of Mulet and of the Church of St. Phillippe du Roule are attached below. |
| Performance: | Live |
| Recorded in: | Stereo |
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