Christ, unser Herr, zum Jordan kam, BuxWV 180

Dieterich Buxtehude (c.1637/39 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works for the organ represent a central part of the standard organ repertoire usually performed at recitals and church services.

As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as his student Johann Sebastian Bach. Historically, Buxtehude is among the important composers of the mid-Baroque period in Germany.

He was appointed organist of the Marienkirche in Lübeck in 1668, and it was here that he accomplished his major works and influence.

Yesterday, the Church celebrated the Baptism of Jesus. One of the most ancient and important chorales commemorating this monumental event is "Christ, unser Herr, zum Jordan kam."

"Christ unser Herr zum Jordan kam" ("Christ our Lord came to the Jordan") is a Lutheran hymn about baptism by Martin Luther, written in 1541 and published in 1543. It has been set in many musical compositions, including cantatas and chorale preludes by Johann Sebastian Bach.

Luther wrote the hymn focused on baptism as part of his teaching about Lutheran concepts, possibly as the last hymn he wrote.

The solemn melody is in the Dorian mode is older than the text and appeared already in 1524 in Johann Walter's choral hymnal "Eyn geystlich Gesangk Buchleyn."

Buxtehude's setting is stately and highly ornamented. It both signifies the gravity and joy of the commemoration of our Lord's Baptism.

The score is attached below, as well as the only known portrait of Buxtehude, found in "A Musical Party," painted by Johannes Voorhout in 1674.

I've also included Buxtehude's signature, a picture of the Buxtehude House, a plaque marking its significance, and a grand overhead view of the impressive Marienkirche.

Also attached are painting's of the Baptism of Christ by the two artist, and the page from Luther's "Small Catechism" of 1550 depicting the event.

Peace to All!